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Goran Tomic

Goran Tomic’s collages reflect the chaos of modern life with a raw energy that’s hard to ignore. Working in a style he calls “Collisionist,” Tomic exposes the tensions within urban decay, consumerism, and the environment, turning them into visual narratives that feel both personal and universal. His work thrives on contradictions—contrasting the order and disorder of the world around us, creating layers of meaning that encourage the viewer to look deeper.


Recognise These Activities as Attempts - Collage, 2024
Recognise These Activities as Attempts - Collage, 2024

Anima Animus - Collage, 2024
Anima Animus - Collage, 2024

In “Anima/Animus,” Tomic explores the duality within all of us, drawing on Carl Jung’s archetypes. By focusing on these opposing forces, he shows the complexity of human nature, where the masculine and feminine are intertwined, not separate. It’s a piece that urges us to recognize the parts of ourselves that are often hidden or suppressed, allowing them to coexist.



A Tale of Constructivism - Collage, 2025
A Tale of Constructivism - Collage, 2025

“A Tale of Constructivism” questions how we learn and create. Immersing himself in public spaces—cafes, bars, trains—Tomic lets his surroundings influence the energy of the work, creating something dynamic and alive. The piece directly reflects his own creative process, which thrives on spontaneity and interaction with the world around him.



The Best Thing I've Heard All Year - Collage, 2024
The Best Thing I've Heard All Year - Collage, 2024

“The Best Thing I’ve Heard All Year” critiques the emptiness of modern architecture and consumerism. He draws attention to buildings designed for function, not meaning, exploring the hollowness of a world more focused on convenience than authenticity.

It’s a commentary on how our surroundings often lack depth and how we need to look more closely to see what’s missing. In “Recognise These Activities as Attempts,” Tomic connects the act of creation with survival. Using the metaphor of birds building nests, the piece speaks to how art, culture, and tradition are passed down through practice, observation, and instinct. It’s a reminder of how we all contribute to the world around us, even in unnoticed ways. His collages aren’t just about the images—they’re about how those images challenge us to see the world differently. Through his work, he confronts the breakdown of society, urging us to examine our roles in the chaos. Each piece invites us to pause, reflect, and reconsider the world we live in.







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