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Camille Pissarro: The Painter Who Never Missed a Show

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Between 1874 and 1886, the Impressionists organized eight exhibitions of their own in Paris. The lineup changed from show to show. Camille Pissarro showed work in all eight. No other painter did.


Photograph of Camille Pissarro with a long white beard, around 1900
Camille Pissarro, photograph, c. 1900. Photographer unknown

Pissarro was born on 10 July 1830 on St. Thomas, then part of the Danish West Indies. At 12 he was sent to a boarding school outside Paris. Back on the island, he preferred sketching at the harbor. In 1852 he sailed to Venezuela with the Danish painter Fritz Melbye.


He settled in Paris in 1855, the year of the Universal Exposition. The landscapes of Camille Corot caught his eye there, and Corot became his teacher. A year later he signed Two Women Chatting by the Sea, St. Thomas with the words “Paris 1856.” It shows two women talking on a path by the sea on his home island.


Two women in long dresses talking on a path above the sea on St. Thomas
Camille Pissarro, Two Women Chatting by the Sea, St. Thomas, 1856. National Gallery of Art, Washington

In 1870 the Franco-Prussian War sent him to London. He left almost all of his paintings behind in his house in Louveciennes, near Paris. In south London he painted The Avenue, Sydenham, now at the National Gallery. By 1872 he was back in France, painting fruit trees in flower in Orchard in Bloom, Louveciennes.


A tree-lined suburban road in Sydenham, London, under a pale spring sky
Camille Pissarro, The Avenue, Sydenham, 1871. The National Gallery, London

Fruit trees in white blossom in a field at Louveciennes, with figures working the soil
Camille Pissarro, Orchard in Bloom, Louveciennes, 1872. National Gallery of Art, Washington

The first exhibition opened in April 1874, in the former studio of the photographer Nadar. A week before the opening, Pissarro’s daughter Jeanne, called Minette, died. He took part anyway. He still believed the independent shows were the right way forward.


Self-portrait of Camille Pissarro with a dark beard, in a dark coat
Camille Pissarro, Self-Portrait, 1873. Musée d’Orsay, Paris

In the late 1870s and early 1880s he painted the fields around Pontoise and the people who worked them. Young Peasant Girls Resting in the Fields near Pontoise is signed and dated 1882. Later he settled in Eragny, where he painted his own garden in 1898.



Two young women resting in tall grass in a field near Pontoise
Camille Pissarro, Young Peasant Girls Resting in the Fields near Pontoise, 1882. National Gallery of Art, Washington

A garden at Eragny with flower beds, trees and a gardener bending over the soil
Camille Pissarro, The Artist’s Garden at Eragny, 1898. National Gallery of Art, Washington

In his last decade he turned to Paris. He hoped buyers would want views of the city, so he took a series of apartments overlooking the streets. From his windows he painted the boulevards at different times of day and in different seasons. The Boulevard Montmartre on a Winter Morning and Boulevard des Italiens, Morning, Sunlight both date from 1897.



A busy Paris boulevard seen from above in morning sunlight, crowded with carriages and people
Camille Pissarro, Boulevard des Italiens, Morning, Sunlight, 1897. National Gallery of Art, Washington

He painted a final self-portrait in 1903, wearing a hat. That November he died in Paris, at 73. He is buried in Père Lachaise Cemetery.



Self-portrait of an elderly Camille Pissarro with a white beard, glasses and a black hat
Camille Pissarro, Self-Portrait with Hat, 1903. Tate, London

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Image credit:

National Gallery of Art, Washington; The Metropolitan Museum of Art, New York; The National Gallery, London; Tate, London; Musée d’Orsay, Paris. All public domain.


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