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Kosuke Ajiro Invented a Civilization, Then Excavated It

8 hours ago
2 min read

Location: GR Gallery, 116 Chambers Street, New York


Date: September 12 – October 24, 2026


Project: Excavation Record I – Sayonara, Kosuke Ajiro's first US solo show


Why it Matters: Ajiro writes his own mythology, and shows the paintings as relics excavated from that world


Kosuke Ajiro in his studio
Kosuke Ajiro in his studio

Kosuke Ajiro was born in 1980 and lives in Tokyo. For years he has worked on a fictional world called the Kingdom of Sally. This is the first time it comes to the United States.


Sayonara - Acrylic on canvas, 2026
Sayonara - Acrylic on canvas, 2026

In the show, Ajiro is not the artist. He is the archaeologist. The thirty paintings stand in for fragments of an ancient mural, supposedly unearthed near Tokyo Skytree, that records an event called Sayonara. He says he dug them up, cleaned them off, and put them on the wall.


Depravity - Acrylic on canvas, 2026
Depravity - Acrylic on canvas, 2026

Sayonara is the seventh chapter of the Sally Mythology. It tells the end of the world, a catastrophe Ajiro compares to Ragnarök. The full story has a prologue, eight chapters, and an epilogue. It has about 3,000 characters, with its own languages and belief systems.


It began with a doodle. As a child Ajiro drew figures without much thought, and one day he named one Sally. Sally went from servant to queen to goddess, and the kingdom filled in around her.


Pilgrimage to Sleeping Cat Mountain - Acrylic on canvas, 2026
Pilgrimage to Sleeping Cat Mountain - Acrylic on canvas, 2026

His sources are Japanese narrative scrolls, medieval European manuscripts, and Hieronymus Bosch.


It all points back to the same trick: paintings made to pass as relics from a kingdom that only ever existed in Ajiro's head.


Excavation Record I – Sayonara runs through October 24.

More info: gr-gallery.com





Photo credit: courtesy of the artist and GR Gallery

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